Kate Pollasch is an art historian, writer and curator. 

Her curatorial practice interrogates preexisting notions of history and normativity through queer tactics, network theory, archival studies, and considerations of affect and digital pedagogy. In 2012, she curated the exhibition “Roger Brown: This Boy’s Own Story” of Chicago Imagist artist Roger Brown’s artistic relationship to HIV, sexuality, mortality, and Chicago’s gay leather community. The exhibition unearthed previously censored artworks and archival materials from Brown’s career and resulted in Brown’s induction into the Visual AIDS Artist Registry. 

​Pollasch holds a MA in Modern art History and Theory and an MA in Arts Administration and Cultural Policy from The School of the Art Institute of Chicago. She holds a BA in Studio Art and Art History from Saint Mary’s College of Maryland. She has held positions with The American Visionary Art Museum, The Art institute of Chicago, the Roger Brown House Museum, Sullivan Galleries, and Rhona Hoffman Gallery. She has lectured at The Chicago History Museum, The Art Institute of Chicago, The Logan Center, Chicago, and The University of Chicago and is a contributing writer for New City, The Seen, and Elite Daily. She was a 2015-2016 HATCH Curatorial Resident at Chicago Artists Coalition. She was the  2017 Terrain-HATCH Public Art Curatorial Resident and also the ​2017 Gaylord and Dorothy Donnelley Foundation Curatorial Fellow. She is the 2018 guest curator of Sullivan Galleries
Low-Res MFA exhibition.